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Thanks to her voluptuous beauty, director Tinto Brass, after she played a role in the 3-part TV miniseries La Romana directed by Giuseppe Patroni Griffi, the television adaptation of the film of the same name directed by Luigi Zampa in 1954, which in turn was adapted from the novel by Alberto Moravia (Francesca, Sofia Loren and Claudia Cardinale were chosen by the great author for one of his very rare interviews). Her portrait was taken by the greatest names in photography including Helmut Newton, Dominique Isserman, Greg Gorman, Michel Comte, Andre' Rau, Annie Leibovitz and many others. Her physical beauty, in this phase of her career, landed her image on the covers of national and international publications. She is so much at ease in front of the camera that when she is dressed, she appears naked and when she is naked she appears dressed.Īfter earning her high school diploma, Francesca Dellera moved to Rome where she began working as a model. She has that something special that only the most riveting screen actresses have.
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Fellini is one of the directors that has won the most Oscars, five, the last of which a lifetime achievement award, in 1993, a few months before his death on 31 October, in Rome, which causes immense mourning across the globe.Biography - Francesca Dellera Francesca Delleraīiography MENU 1 Homepage 2 Biography 3 Photogallery 4 Masters' Shot 5 Covers 6 Films 7 Press 8 Download 9 Contact usįrancesca Dellera’s physicality speaks for itself. Fellini’s career was peppered with homages and awards, including the Legion of Honour (1984) and the Praemium Imperiale awarded by the imperial family of Japan (1990). Some of the most famous films are Le notti di Cabiria (1957, another Oscar), La dolce vita (1960, Palme d’Or at the Cannes Film Festival), 8½ (1963, Oscar), Fellini Satyricon (’69), Fellini Roma (1972), Amarcord (1973, Oscar), Il Casanova (1976), Prova d’orchestra (1979), Ginger e Fred (1985), Intervista (1987, 40th Anniversary Prize at the Cannes Film Festival, Grand Prize at the Moscow Film Festival), La voce della luna (1990).
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This was followed by La strada (1954), with Giulietta which won an Oscar, the first of a series of films that assured Fellini’s place amongst the great filmmakers. Fellini’s solo directorial debut, Lo sceicco bianco (1952), was also a failure, but success finally arrived with I vitelloni (1953), which won the Silver Lion in Venice and which also launched Alberto Sordi’s career.
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The latter wanted Fellini to co-direct Luci del varietà (1950), a self-produced enterprise that left both of them full of debts. Their partnership became highly in demand to work with various directors such as Pietro Germi and Alberto Lattuada.

He formed a partnership with the playwright Tullio Pinelli, with whom he continued to work throughout his life. He worked on Roma città aperta and soon afterwards on Paisà, striking a fruitful friendship with Roberto Rossellini. He soon made a name for himself as a scriptwriter by contributing to the scripts of Fabrizi’s films. They had just one son, who died one month after he was born. He moved in variety circles, writing monologues for the comedian Aldo Fabrizi and collaborated with variety programs on the radio where he met a young actress, Giulietta Masina (1921-1994), that he married on 30 October 1943. In January 1939 he moved to Rome with the excuse of studying law and joined the editorial staff of “Marc’Aurelio”, a widely-read satirical magazine, where he became popular through hundreds of pieces signed as Federico. From the beginning of 1938 he started collaborating with “Domenica del Corriere”, which published several of his cartoons, and with the weekly comic publication from Florence “420”. Whilst still in high school, the future director started making a name for himself as a caricaturist: to promote films, the manager of the Fulgor cinema, hired him to draw portraits of the stars. Federico Fellini was born in Rimini on 20 January 1920, son of Ida Barbiani, of Roman origin, and Urbano, a travelling salesman, originally of Gambettola.
